LIST OF WORKS


ACTIVITIES 2004-2007

Creative Works:

(2007) Salikupan for 3 Saron groups, 3 kendang, 3 rebab,

Singers, bungkaka, tongatong, patang-ug, and Bird-whistles.

•  Premiere: Solo International Ethnic Music Festival

And Conference, Solo, Indonesia , 4. September 2007.

 

(2006) CUERDAS II VISAYAN MEDLEY

•  Premiered at the Closing Concert of the 2 nd International Rondalla Festival CUERDAS SA PANAGHIUSA, People's Park, Dumaguete City , February 25, 2007 .

(2006) DW'GEY for Violin, Viola, Voice and Percusssion.

Text by Rio Alma .

(2004) OGGAYAM for mixed voices. Commissioned by the UP Singing Ambassadors.

(2004) PAT'TONG for Symphonic Band. Supported by the UP President's University Professor Grant Program.

(2004) K'LIBET for children's rondalla.

•  Premiered at the 2004 NAMCYA National Finals, Cultural Center of the Philippines , November 25, 200 4 .

 

Performed by the Israel Contemporary Players. Tel Aviv Museum and Jerusalem Music Center , 4-5

November 2006.

 

•  BU-KA for mandolin, guitar, harpsichord and percussion.

•  Premiered during the 24 th Asian Composers League Festival in Israel , at the Jerusalem Music Center , October 20, 2004 .

(2004) TI-I-NIG for Bass Trombone and Percussion

•  Premiered in Hoy! by Barrie Webb and Peter Neville in Melbourne , April 18, 2004 .

Publications:

•  “Beyond Improvisation: Expressive-Creative Processes in Musical Traditions in the Southern Philippines ”, Journal of the Indian Musicological Society. Volume 38. Mumbai , India : JIMS, 2007. 22-35.

 

•  TUNUGAN - Four Essays on Filipino Music. UP Press, 2005. National Book Award in Music, 2006.

 

•  “ Jose Montserrat Maceda: Rebellion, Antithesis and Alternatives” , Bulawan 15 Journal of Philippine Arts and Culture. Manila : National Commission for Culture and the Arts, 2005.

•  “ Antithesen und Alternativen: Die Musik von José Maceda”, MusikTexte 102 Zeitschrift für Neue Musik. Köln, August 2004.

 

•  “MUSIC: Confined and Beyond Confinement”, SANGHAYA 2004: Philippine Arts+Culture Yearbook. Sanghaya Resource Center for the National Commission for Culture and the Arts, 2004: 35-41.

 

•  “Local Musics in A Globalized Asian Environment”, Scientific Conference: Traditional Music in Globalization Context. Vietnamese Institute for Musicology,2004.

 

•  “Language, Poetry and Drama in the Art Music of Nicanor Abelardo”, Bulawan 10 Journal of Philippine Arts and Culture. Manila : National Commission for Culture and the Arts, 2004.

 

•  LAWAK RONDALLA A Commemorative Album of Cuerdas nin Kagabsan – The 1 st International Rondalla Festival (Project Director, Text, Editor, Production). Produced by the NCCA, 2004.

 

Major Researches and Papers

 

“Ethnicity and Music Composition”, paper read at the Solo

International Ethnic Music Festival and Conference. ISI Solo,

Indonesia , September 2, 2007 .

 

“Ethnomusicology and Composition”. Keynote Paper delivered at

the Asia-Pacific Music Festival. University of Wellington ,

New Zealand , February 11, 2007 .

 

“Beyond Improvisation”, paper read at the ITC-Sangeet Music Academy Seminar IMPROVISATION. Mumbai , India , January 14, 2006 .

 

“Kawayan sa Musika: Espiritu, Teknolohiya at Ugnayang Pangtao” , Tawag ng Bantula: Music and Bamboo Festival. NCCA-Musicological Society of the Philippines , University of Sto . Tomas, September 21, 2005 .

 

“Ugnayan: Music, Technology and Power ”, UGMA-UGMA Symposium, UP College of Music , May 5, 2005 .

 

“Current Challenges and Opportunities in the Musics of Asia ” , World Forum on Music. International Music Council General Assembly, Los Angeles , California , October 1, 2005 .

 

“ A Brief Report on the Asian Music Forum 2004” , World Forum on Music. International Music Council General Assembly, Los Angeles , California , October 5, 2005 .

 

“Mga Sangkap Aralin sa Teorya at Praktis Pang-Musika buhat sa Pangmundong Pananaw Pangalawang Bahagi” (Study Materials for the Theory and Practice of Music from a World Perspective, Part II). Completed under the University Professors Grant Program.

 

“Philippine Musical Heritage – Traditions and Emblems”, Symposium on the Preservation of Philippine Cultural Heritage, National Historical Heritage, FEU Auditorium, September 21, 2004 .

“Local Musics in Globalized Asian Environment”, Scientific Conference: Traditional Music in Globalization Context, Vietnamese Institute for Musicology, Hanoi , Vietnam , August 8-9, 2004 .

“Ugnayan – Beyond Technology”, International Academic Conference “Interpretation of Classic Meets Avant-Garde” Tainan Womans College of Arts and Technology, Tainan , Taiwan , May 28, 2004.

Modern Technology and the Musics of Asia ”, International Academic Conference “Interpretation of Classic Meets Avant-Garde” Tainan Womans College of Arts and Technology, Tainan , Taiwan , May 28, 2004.